Sicilian Defense: Taimanov Variation, Szén Variation

A dynamic and combative chess opening that results in unbalanced positions, providing opportunities for both players to achieve a decisive outcome.

1. e4 2. c5 3. Nf3 4. e6 5. d4 6. cxd4 7. Nxd4 8. Nc6 9. Nb5

The opening in question is an aggressive and popular choice for both White and Black within the Sicilian Defense framework. It is named after a Hungarian chess player and a Russian Grandmaster. The opening is characterized by an early knight move by White to b5, aiming to take advantage of Black's lack of pawn protection on the queenside and create immediate threats.

Black's primary strategy in this variation is to counterattack in the center with pawn breaks such as d5 or f5, while White attempts to exploit the weaknesses created by these pawn advances. The resulting positions are frequently highly unbalanced, with both sides having opportunities for a decisive result.

This variation is considered double-edged, as both players can find themselves in trouble if they are not well-prepared. It is crucial for both sides to be familiar with the typical plans and tactics that can arise from this opening.

In recent years, this variation has been employed by numerous top-level players, including former World Champions and current elite players. This demonstrates the opening's soundness and its potential to generate exciting and decisive games.

Frequency: 1.7 %Stockfish score: 0.3, depth 43
Games Statistics:
White/Draws/Black
51.5%
8.1%
40.4%
Bookmoves score:
RateWhiteBlack
0...180062.453.6
1800...200065.355.2
2000...220063.354.8
2200...250058.553
2500...55.949

Variations:

Sicilian Defense: Taimanov Variation, Modern Line

A popular and complex chess opening, the Sicilian Defense: Taimanov Variation, Modern Line offers dynamic middlegame opportunities for both players.

Frequency: 24.3 %

Sicilian Defense: Taimanov Variation, Gary Gambit

The Sicilian Defense: Taimanov Variation, Gary Gambit is an aggressive chess opening that focuses on quick development and active piece play.

Frequency: 1.2 %